谢柏轲 中国绘画、画论和评论中对暮年的表现及观念.pdf

Chinese Concepts of Old Age and Their Role in Chinese Painting, Painting Theory, and Criticism Author(s): Jerome Silbergeld Source: Art Journal, Vol. 46, No. 2, Old-Age Style (Summer, 1987), pp. 103-114 Published by: College Art Association Stable URL: /stable/776887 . Accessed: 25/07/2011 10:25 Your use of the JSTOR archive indicates your acceptance of JSTORs Terms and Conditions of Use, available at . /page/info/about/policies/terms.jsp. JSTORs Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at . /action/showPublisher?publisherCode=caa. . Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@. College Art Association is collaborating with JSTOR to digitize, preserve and extend access to Art Journal. Chinese of Old and Concepts Age Their Role in Chinese Painting, Theory, and Criticism Painting By Jerome Silbergeld and death are universalcon- recorded in Chinese literature