- 1、原创力文档(book118)网站文档一经付费(服务费),不意味着购买了该文档的版权,仅供个人/单位学习、研究之用,不得用于商业用途,未经授权,严禁复制、发行、汇编、翻译或者网络传播等,侵权必究。。
- 2、本站所有内容均由合作方或网友上传,本站不对文档的完整性、权威性及其观点立场正确性做任何保证或承诺!文档内容仅供研究参考,付费前请自行鉴别。如您付费,意味着您自己接受本站规则且自行承担风险,本站不退款、不进行额外附加服务;查看《如何避免下载的几个坑》。如果您已付费下载过本站文档,您可以点击 这里二次下载。
- 3、如文档侵犯商业秘密、侵犯著作权、侵犯人身权等,请点击“版权申诉”(推荐),也可以打举报电话:400-050-0827(电话支持时间:9:00-18:30)。
- 4、该文档为VIP文档,如果想要下载,成为VIP会员后,下载免费。
- 5、成为VIP后,下载本文档将扣除1次下载权益。下载后,不支持退款、换文档。如有疑问请联系我们。
- 6、成为VIP后,您将拥有八大权益,权益包括:VIP文档下载权益、阅读免打扰、文档格式转换、高级专利检索、专属身份标志、高级客服、多端互通、版权登记。
- 7、VIP文档为合作方或网友上传,每下载1次, 网站将根据用户上传文档的质量评分、类型等,对文档贡献者给予高额补贴、流量扶持。如果你也想贡献VIP文档。上传文档
查看更多
Online Appendices to
Hayes and MacEachern, “Folk Verse Form in English”
to appear in Language
The material here would not fit into our article “Folk Verse Form in English,” but seems relevant and also perhaps lays to rest issues that might call the main analysis into question. We therefore have chosen to make it electronically accessible.
Appendix A: On the Reliability of Grid Transcription
Folk songs existed largely in an oral tradition, and were sung almost exclusively by individuals who knew no musical notation. The field workers who set the folksongs down on paper listened to the songs and relied on their rhythmic intuitions and formal musical training to establish an appropriate graphic depiction of the songs’ rhythm. In our own work, we examined the musical notation of the field workers, and converted it into the grids on which our analysis is based. The question addressed here is: should the resulting grids be counted as legitimate data, or are they merely a large pile of capricious, subjective interpretations imposed by ourselves and by the fieldworkers?
First, with regard to the conversion of musical notation to grids, the opportunities for any subjective judgments on our part to influence the theoretical outcome are low. The only parts of the conversion task that are potentially subjective are the establishment of grid structure above the levels indicated by musical bar lines (usually, nothing depends on what this structure is), and the division of the temporally continuous grid into lines. In our experience, any subtle judgment calls that arise in the latter task do not affect the classification of the lines by rhythmic cadence, and thus would not affect our results.
Second, we must consider the harder task faced by the musical field worker; that of establishing the rhythmic structure from purely auditory impressions. In general, we think that transcription as carried out by skilled musicians is sufficiently reliable for our purposes. The cruci
您可能关注的文档
- 《慢行交通系统规划讨论——以台湾为例》A Discussion on Urban Non-motorized Traffic System Planning - with a Case Study of Taiwan.doc
- 《培养小学英语口语表达能力的研究》研究报告.doc
- 《苔丝》中修辞的翻译.doc
- 《提高小学英语课堂阅读的实效性》课题申请表.doc
- 《义务教育英语课程标准(2011年版)》的实施建议 专题讲座.doc
- 【开题报告】英文电影与英语口语教学(Teaching Spoken English by Films).doc
- 【强烈推荐】初中英语语法系统梳理(精华版).doc
- 2012年全国数学建模大赛A题获奖论文英文版 The Evaluation of Wines.doc
- 2014全国职称英语词汇(高频词汇、词组、固定搭配).doc
- A Book Report on David Copperfield 英语论文.doc
文档评论(0)