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The 12 (er...24) fundamental principles of animation
基于动画12原则的动画24条准则
Jeremy Cantor – Animation Supervisor – Sony Pictures Imageworks - May 4th, 2002
/text/twelve_principles_plus.htm
1. Squash Stretch: Organic objects tend to have some degree of malleability. When forces act upon them they will deform appropriately depending on the nature, direction degree of the forces. When applying squash stretch in your animations, it is important to remember that, if volume is not maintained, your object will appear to be expanding or contracting. If you squash a tennis ball vertically, it should simultaneously widen horizontally. Squash Stretch can also be applied to rigid, articulated structures. When the structure compresses, certain joints will rotate off to the side. When you drop from a standing position into a squat, your hips move down while your knees move sideways. Your legs can be said to be squashing and stretching, even though the individual joints are not compressing or expanding.
1.挤压与拉伸:当,他们将的性质,方向和。当,重要的是要记住,如果,。。。,某些关节将旁边。,你的臀部向下移动,而你的膝盖。你的腿可以说是挤压拉伸,关节压缩或扩大。2. Anticipation: The setup before the main action. It lets the audience know that something is about to happen. For instance: reaching behind you with your fist before delivering a punch. A boxer tries to avoid anticipation when throwing a jab.
2.预备动作:。它让观众知道什么即将发生例如:。一个拳击手试图避免。
3. Staging Composition: The clear presentation of an idea. What is the story being told? What is the best way to tell this story? What are the appropriate camera angles screen direction? Is the flow of the scene guiding the viewer’s eyes as intended? Are your poses strong? If you arbitrarily “freeze-frame”, will the resulting still-image be a well-composed work of art? Do the elements of your scene work together visually? Are your object’s trajectories too linear? Or perhaps too complex? Are important elements of your scene hidden behind less important elements?
3.分镜与构图:。?? 适当的镜头角度及屏幕的方向???如果你随意,静止图像一个很好的艺术???
4. Straight Ahe
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