英语电影片名汉译的初探.pdfVIP

／Q 0⑧J ＼∑：：／ 硕士牟 h1、叭I¨ 文化价值，审美价值和商业价值：并引用丰富的例证概括了五种具体的翻译 方法，如音译、直译、意译、直译加意译和改译。在前文讨论的基础上，作 者继而提出“三位一体”的导看原则，具体指简洁准则、得体准则和创造准 则。文章最后从垂直接受和水平接受，即历时和共时的角度探讨了译名的时 代特色，并对大陆、香港及台湾三地的译名进行了对比。文章指出，在不同 的时代，观众的期待视野、文化及教育水平、审美趣味及审美能力、认知和 接受水平也相应不同，因此译名打上了时代的烙印。此外，作者分析了导致 译名混乱的原因，并提出了相应的对策。 影片译名既要有一定的文化品味，又要有良好的商业效应；既要忠信于 原文，又要符合本国观众的语言文化习惯和审美情趣。英汉片名翻译就像～ 场“拉锯战”，在直译和意译、形似与神似、艺术与商业之间寻求一个平衡点。 作者认为，译事难为，英汉片名翻译的特性决定了它的‘不易为’，但这并不 等于‘不可为’。译者应该遵循“一个中心，四个基本点”，灵活运用各种翻 译方法和技巧，发扬‘一名之立，旬月踟躇’精益求精的翻译精神，从而真 正实现片名的导看功能。同时，海峡两岸的翻译工作者、影视工作者和书报 杂志的编辑们应该“齐抓共管”。相信随着文化交流的进一步深入，越来越多 贴近原文风貌的优秀译作将呈现在观众面前。 关键词：片名翻译，导看原则／接受美学 ／ ／、 ／ ． ＼ (＼割 5自士：ir扑n}、 Abstract This present paper sets out to explore the film title translation from English into Chinese with an attempt to lay down some ground rules to pilot film title translation．The past two or three decades have witnessed vast development in film translation．However,being a special and significant part of translation，film translation is an area that is fhr from being explored．Few monographs at home and abroad have discussed this topic．Just a few chapters Call be found touching upon this issue．In the foreign language master journals published in the past decade，it is noticed that there is a relative paucity of theoretical writing on film translation in general and on film title translation in particular．Actually,film title translation is important and creative work．An excellent version may contribute a lot to the charm of the film and plays an important part in the introduction of a new film． Nevertheless，up to nOW no one has offered a systematic and feasible principle to pilot film title translation．Actually,film title translation is very problematic in that it is in the grip of a state of disunity．And now,it is high time that film title translation should be given due attention to in the present field of translation studies． Reception Aesthetics，a newly developed discipline，is adopted as the theoretical background of this thesis and an audience--oriente