西方传统绘画从制底做起论文.docVIP

摘  要  当下社会，传承﹑创新﹑发展是全社会进步的主题。对于跨进国门数百年的西方传 统架上绘画想要进步，我们必须不厌其烦地认知再认知，不断的变化和发展。才有融合 与进步。 对于艺术家个体来说，“每个作为创造者的艺术家的心中都拥有呼唤着表现的东 西”。[1]通过一种艺术形式完美的表达自我的思想感情，是至高无上的追求。无论哪一位 画家都在寻找自我的表达形式。这种表达形式有基于画面的每一个因素。语言﹑技法﹑ 技巧等因素，甚至于一个底子的制作都会影响会形式的改变。由于人类的个体经验必定 铸就了不同的个体绘画形式，不同的绘画形式有决定了绘画材料的不同，随之影响到画 着对于不同基底﹑底子的选择，她们又相互作用，因此创造出不同个体经验下的艺术瑰 宝。 本文第一单元对西方架上绘画前期制作底子的一般形式阐述与总结；第二单元阐述 西方架上绘画前期制作底子的双向选择性。说明画者通过制作行为和思绪的有机结合而 融为一体，相互作用，相辅相成﹑互为条件。引出底子制作的导向作用；第三单元，分 别从物质导向价值﹑精神导向价值﹑偶然性深入论证底子制作的导向价值；第四单元主 要以实例求证中底子的导向作用价值；第五单元及结论部分通过对当下画家分析论述导 向价值作用及发展。本文基于本人绘画实践的感悟﹑阐述，以西方架上传统绘画前期底 子的制作为切入点，并对底子制作的作用价值进行深入分析。不断拓展和推进中西方传 统绘画的融合与发展。  关键词：架上绘画  底子 导向作用 一体化  III Abstract In the contemporary society, the topic of the whole social progress is inheritance, innovation and development. If traditional easel painting from Western stepping into our country hundreds of years ago wants to make progress, we must cognize again and again tirelessly. Only change and development lead to the fusion and progress. Regarding the individual artist,“something calling for performance is, in each of the artist’s mind, as creators”. Expressing self-thoughts and feelings perfectly through one kind of artistic form is the highest pursuit. whichever artist is seeking for the form of self-expression that is based on every factor of picture, such as language, techniques, skill and so on. Even backgrounds manufacture can affect the change of form. Individual experience of human beings results in different painting forms; different materials are determined by different forms; then it has impact on the choices for different basement and groundings. They also interact. Thus the artistic gem from individual experience is created. This first unit of Western easel painting pre-production base in the general form described and summarized; second unit of Western easel painting set a two-way selective pre-produc