中国画的构图特色.docVIP

中国画的构图特色摘　要：中国画的构图有其相对的独立性,并具有它特有的形式美.构图不仅是形象化的过程,也是画家造型手段的形象思维过程与方式和法则. 中国画的构图有其相对的独立性,并具有它特有的形式美.构图不仅是形象化的过程,也是画家造型手段的形象思维过程与方式和法则.关 键 词：构图;空白空间;意境Talking About the Constructing Characteristic of Traditional Chinese Painting Summary:The traditional Chinese painting composition has its relative independence and has its unique form to be beautiful The composition not only is the visualization the manuscript also is the painter modelling method thinking in images process and the way and the principle The traditional Chinese painting composition has its relative independence and has its unique form to be beautiful The composition not only is the visualization the manuscript also is the painter modelling method thinking in images process and the way and the principle. From the design that, in any case complex, can not be dispersed images, and seek to be concentrated in the decentralized, centralized, decentralized approach. Scattered layout changes more concentrated layout easy reunification. So we can say that traditional explanatory, very difficult. Lin food, Lu Ji, Ren is seeking complex, eight, Liangjie is seeking summary. However, in general, to focus on concise as expensive. Chien, a high degree of general capacity; Complex, the need for uniform capacity. Chien to be added, without a mess of complicated, it entered a period of maturity, and for painting meticulous painting style are important. Key words:structure room;blank theme conception style 中国画构图风格的形成，不只是绘画自身的表现，而是哲学、文学、绘画三者合一的产物，中国画构图学 是由立意、为象、格局三个内容相互联结组成，从而达 到“神”与“形”的统一。 1、构图 构图，传统绘画中称为章法，现代绘画中称为构成，新老观念虽有不同，但基本含义还是共通的。人生活在时间与空间之中，现实世界的时间是流逝的、无限的，空间是三维立体的，无边无界的；而人的创造物——绘画，就时间而言是凝固的、有限的，就空间而言是二维平面的，有边界的。这两者是如此地截然不同，却又有着最密切的对应联系。所谓构图，就是将无限的立体结构转换成有限的平面结构。这种转换过程，本质上是一个创造过程。尤其是现代绘画，这种转换以纯粹创造的外表显示出来，生活与艺术之间的联系就更为抽象了。 呼应生情，是指画中的景物应相互呼应，在顾盼中取得充满情趣的艺术效果。如果画中的景物各自为政，互不照应的话，那么画面就会失去情趣，而显得支离破碎。 构图中的疏密相生 疏密，是构图的基本经营法则。疏密可使画面产生远近、主次等丰富变化。潘天寿曾云：“无疏不能成密，无密不能见疏，是以虚实相生，疏密相生，绘事乃成。”各个画家处理疏密的手法，不尽相同，清代石涛、八大两位画家的