The dsign of film and animation scene the use of.docVIP

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The dsign of film and animation scene the use of.doc

The dsign of film and animation scene the use of

The design of film and animation scene the use of subjective Abstract: People on the subjective feelings and interpretations will naturally be reflected in the animation scene design, and that this is the movie scene we refine the meaning of color design. Keywords: Animation, Film, Scene, Color Design of animated scenes in the film the subjective use of color, is engaged in the animation scene design teaching teachers must have basic skills. Worlds, colorful, animated scenes we should grasp the object design practice the most essential color, rationally describe the object selected color relationships, design Quweicunzhen animation scenes to keep sperm mixed, so that the animation scene design work was the distillation of quality. Human experience of color, over time, continue to accumulate and develop, and gradually formed its own aesthetic taste, a lot of penetration and interpretation of color feel subjective factors. In China, mourning the dead with white, red beg evil , with the yellow symbol of power and privilege, which has become a lifestyle. people of color and use of these feelings, both social and cultural factors, is determined by instinct, is the physiological function of objective response. People on the subjective feelings and interpretation will naturally be reflected in the animation scene design, and that this is the movie scene we refine the meaning of color design. While some people of color do not feel sharp, but the design work in the animation scene, the same can draw more abundant The colors, depends on the analysis of subjective consciousness and judgments will be the color of the animation design objects between scenes leap off the paper. In A Subjective Role In The Design Of The Animation Scene Animation scene in the subjective sense of design, is the scope of self-cognition, with the objective corresponds to. It is based on repeated observations of the actual experience of the scene, and form their own subjective feelings. If we cha

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