imagery.pptVIP

The schools of Tangshi and Songci Imagism,realism-------Tangshi Wanyue,haofang-------Songci Imagism . Li Shangyin Li Shangyin (813–858), courtesy name Yishan (義山), was a Chinese poet of the late Tang Dynasty. Along with Li He, he was much admired and rediscovered in the 20th century by the young Chinese writers for the imagist quality of his poems. He is particularly famous for his tantalizing no title (無題) poems. Li was a typical Late Tang poet: his works are sensuous, dense and allusive. The latter quality makes adequate translation extremely difficult. The political, biographical or philosophical implications supposed to be contained in some of his poems have been a subject of debate for many centuries in China. 锦瑟 锦瑟无端五十弦，一弦一柱思华年。 庄声晓梦迷蝴蝶，望帝春心拖杜鹃。 沧海月明珠有泪，蓝田日暖玉生烟。 此情可待成追忆，只是当时已惘然。 In a Station of the Metro (1913 ) The apparition of these faces in the crowd; Petals on a wet, black bough. Realism Realism is the belief that reality exists independently of observers, whether in philosophy itself or in the applied arts and sciences. Realism in the arts concerns the depiction of subjects as they appear in everyday life. realism Du Fu (712–770) was a prominent Chinese poet of the Tang Dynasty. Along with Li Bai , he is frequently called the greatest of the Chinese poets. His greatest ambition was to serve his country as a successful civil servant, but he proved unable to make the necessary accommodations. His life, like the whole country, was devastated by the An Lushan Rebellion of 755, and his last 15 years were a time of almost constant unrest. He has been called the Poet-Historian and the Poet-Sage by Chinese critics, while the range of his work has allowed him to be introduced to Western readers as the Chinese Virgil, Horace, Ovid, Shakespeare, Milton, Burns, Wordsworth, Béranger, Hugo or Baudelaire. 乐府·兵车行 车辚辚，马萧萧，行人弓