Mikhail Mikhailovich Bahktin Salisbury University米哈伊尔巴赫金mikhailovich索尔兹伯里大学.pptVIP

‘All that death shall take away is in its night,’ Sainte-Colombe whispered in his pupil’s ear, ‘They are all the pleasures of this world that are taking their leave, bidding us adieu.’ (p. 46) Setting a Scene in Cinema Everything is present simultaneously as the action unfolds Numerous details must be added The details can be structured visually but are more synchronic than diachronic Assertions of an implied narrator cannot be easily included in the setting up of a scene. Action still occurs even when the director has a scene stand still. “Whereas in novels, movements and hence events are at best constructions imaged by the reader out of words, that is, abstract symbols which are different from them in kind, the movements on the screen are so iconic, so like the real life movements they imitate, that the illusion of time passage simply cannot be divorced from them.” Further in film there is a movement from scene to scene that gives the film a tempo beyond that of the actions of particular actors within a scene: intra-scene tempo vs. inter-scene tempo Spatial element in written works that is lacking in film. For instance, AMW has very short chapters. Further the sentences are of simple construction and do not dawdle. The reader is not encouraged to take pleasure in the act of relating the different sentence parts into a coherent whole. Rather a sentence emerges and then quickly fades, as the next sentence emerges. Further AMW has short paragraphs. Each indentation acts much like a musical rest, a pause before one takes up the next thread of narrative. The Musical Note Music is played in the cinema and the narrative descriptions of music from the novel are left out. Colombe’s compositions and style emphasized the dynamics of single notes, as well as the silences out of which notes emerge and then fade back into. The importance of rests/pauses in music. The Voice Over vs. Narrator How to Translate Narration into Cinema Use a voice-over Action, editing and cut