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A Comparison of the Origin and Development of Chinese and European Musics.doc
A Comparison of the Origin and Development of Chinese and European Musics
[a]School of Music, Jianghan University, Wuhan, China.
*Corresponding author.
Received 19 October 2014; accepted 8 January 2015
Published online 26 January 2015
Abstract
This article explain the relationship among the Chinese language tone, music and philosophy and compare them with European music theory forms. This article studies the way how Chinese classical music has gained great achievements which have a great impact on European artists’ attitude change to Chinese musicians. This article tries to allow European people to understand the origin of Chinese music and the ideological origin of Chinese musicology through studying the origin of ancient Chinese music.
Key words: Origin and development of Chinese and European musics; Poetry; Pronunciation and intonation; Culture
Jing, J. (2015). A Comparison of the Origin and Development of Chinese and European Musics. Canadian Social Science, 11(1), lt;Pagegt;-0. Available from: http:///index.php/css/article/view/5649
DOI: http:///10.3968/5649
INTRODUCTION
For ancient Chinese artists, poetry creation was seen as a cultural creation activity. They believed that reading and writing the poem would make people learn to be kind and beautiful and had them compared with evilness and ugliness. Reading and writing poems produced melody and it is spirited or melancholy: Oral tune has been strengthened in poetry and thus it begins approaching the quality of music.
1. THE RELATIONSHIP BETWEEN CHINESE MUSICAL TONE AND POETRY
The rhythm of Chinese poetry has laid the foundation of Chinese classical music. This kind melody produced by the beauty of poetry is also caused by the sound of instruments. Since the era of the Silk Road, China has a complete set of traditional Chinese musical instruments. These instruments were named after the material used to make them and their meaning is to produce perfect sound:
Xu
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