Pictorialism of Farewell， Sweet Groves.docVIP

Pictorialism of Farewell， Sweet Groves 　　【摘要】诗歌和图画是两种紧密相连、不可分割的艺术形式。乔治?威瑟《哦，再见，可爱的树林》是17世纪英国图画诗歌的杰出代表。这首十四行诗未采取传统五步抑扬格形式，而是一首带有传统十四行诗歌的押韵规律，外表为菱形的十四句抒情诗。该诗歌分为上下两阕，就像两幅图画：1、一幅似一座山及其在水中的倒影。2、一幅似挥动再见的手掌。 　　Abstract： Poetry and painting， two art forms in close connection， integrated strongly. Farewell， Sweet Groves， a shaped verse， written by George Wither， is one of the representatives of poems of pictorialism in 17th century in British. It is not a traditional sonnet but a fourteen line lyric poem with diamond shape outside. There are two stanzas of this poem， which are like two pictures： 1. A Picture of a Hill with Its Reflection in Water； 2. A Picture of a Waving Saying-Adieu-Hand. 　　一. Introduction 　　More than two thousand years since ancient Rome period to modern society， the theory of relation between poetry and painting has been evolved. Simonides of Ceos， the poet of ancient Greek， said “Painting is mute poetry and poetry a speaking picture.” Also， Plato said in The Republic “The poet is like a painter.” Poetry and painting， two art forms in close connection， integrated strongly. There is no limitation between them in many poems of all ages. So it can be said that the pictorialism of poetry never disappeared and it seems that it will not. 　　The character of pictorialism poem is that the appearance of poem is arranged as a picture. Farewell， Sweet Groves， a shaped verse， written by George Wither， is one of the representatives of poems of pictorialism in 17th century in British. Obviously， the style of the poem was influenced by Metaphysical school at that time when Baroque style took the art stage. Baroque style in literature， in exaggeration and elegant， has stressed a sense of movement， space， luxury， passion feeling， or even mystery. It seems confusing and broken in form. Especially in poetry， it emphasized complicacy of forms and images of works that should have direct emotional expression in style and movement in arrangement. Farewell， Sweet Groves