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2015年8月份GRE考试阅读预测机经,第二弹-智课教育旗下智课教育
智 课 网 G R E 备 考 资 料
2015年8月份GRE考试阅读预测机经,第二弹-智课教育
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By far the most popular United States literature of its time
was a body of now-neglected novels written between 1820 and
1870 by, for,and about women. According to Nina Baym, who
has termed this genre “woman’s fiction,” the massive
popularity of these novels claimed a place for women in the
writing profession. The novels chronicle the experiences of
women who, beset with hardships, find within themselves
qualities of intelligence, will, resourcefulness, and courage
sufficient to overcome their obstacles. According to Baym, the
genre began with Catharine Sedgwick’s New-England Tale
(1822), manifested itself as the best-selling reading matter of the
American public in the unprecedented sales of Susan Warner’s
Wide, Wide World (1850), and remained a dominant fictional
type until after 1870. The critical, as opposed to popular,
reception of these novels in their own time was mixed.
Theoretical opposition by those who saw fiction as a
demoralizing and corrupting influence was by no means dead in
mid-nineteenth-century America, and popular successes
naturally bore a significant proportion of the attack. The
moralistic tone of much woman’s fiction did not placate these
antagonists; on the contrary, many clerical opponents of the
novel thought that women were trying to take over the clergy’s
functions and hence attacked all the more fiercely. Similarly,
some male authors, disgruntled by the emergence of great
numbers of women writers, expressed contempt for the genre.
On the other hand, the women had a powerfully ally--their
publishers, who not only put these works into print but
advertised them widely and enthusiastically. Some few reviewers
wrote about these works with attention and respect,
distinguishing between the works of the differe
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