关于《雾都孤儿》和查尔斯·狄更斯的论文.docVIP

关于《雾都孤儿》和查尔斯·狄更斯的论文.doc

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关于《雾都孤儿》和查尔斯·狄更斯的论文.doc

  关于《雾都孤儿》和查尔斯·狄更斯的论文 [摘 要]查尔斯·狄更斯是英国文学史上杰出的现实主义作家。《雾都孤儿》是他的代表作之一。小说描写了伦敦地层 社会 中贫苦儿童的悲惨生活,揭露了贫民救济所的黑暗。他所塑造的人物,在今天读来仍栩栩如生。 [关键词]查尔斯·狄更斯;《雾都孤儿》;批判现实主义者;批判现实主义 abstract: charles dickens inent critical the characters he created asterpieces in reflecting the real and terrible life of london under 1、charles dickens mid 19th century of england betber of novelist s. the y had a pathy for the miseries and a strong feeling for lathe poor la2 boring masses. they cried flout loud against social injustice but they also did not approve of violence to fight the social e but they had never thought of overthroid - 19ta century itations in their general point of vieiserable existence of the mon people ; they gave at ruthful picture of capitalist england of the time. they follo and early 19th century romanticism. they sho sympathy on those people a good knoe and it had a far reaching effect upon his lifelong contempt for all the political institutions as practice in england. as the result of his ability to notice things of london life , a volume of stories and sketches of london street scenes , sketches of bozo , portant e. this success e 15 novels as es of stories , t travelogues and countless sketches and essays. in his very early literary period , dickens attacked one or more specific evils in victorian england : debtors prison , ent and so on. the most important of these novels ism and a light and cheery tone , aintained , or and laughter. iddle class ore rampant , dickens ore alive to the social reality and became more critical. noistic spirit ent . it aturity as a great artist . the ent of the great novelist artistic style. his h - ,nor and satire this time just gradually gave a point to his sentimentality , his mood of inhibition and a kind of dramatic tension. 2、oliver tarked the beginning of dickens’ literary life. it began to appear in a monthly magazine. “i had perhaps the best subject i have ever thought of , i have throy ind his later - stance

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