EQ频点参数值详解(国外英文资料).doc

EQ频点参数值详解 250hz is full or turbidity. Gain but no higher than 3DB, 200 to 800 is the main frequency segment of the human voice, excessive regulation can be distorted. 500hz car horns. Decay, no more than -3db. 1khz whack? It is. Appropriate damping. 2khz crunched the sound of something, and rattled. You dont have to say, decay. Of course, theres a lot of gain in making slippers in the open corridor. 4khz edge, sharp feeling. If NJ cant pronounce the words properly, it can be as good as 1DB, because the frequency is also a dental frequency, so be careful. Clear words should attenuate 2DB. 8khz whistling or toothed sound, the outline is clear, ouch! Female voices can consider a gain of 2DB, which makes it possible to hear what youre saying even if youre a baby. The male voice must be attenuated, a frequency that is high in the boys teeth. 16 KHZ air. Greatly elevating 4DB, adding reverberation effect will have echo feeling. Only use NJ to speak less shows, give a person the feeling of the lingering. The big monologue suggests attenuation of 2DB to make the approachable effect, otherwise the echo is too much to be dizzy. 20Hz -- this part of the 60Hz section gives a powerful feel to music, which makes it sound like thunder. Its a powerful feeling in music. If it is too high, it will be cloudy and not clear, especially for low-frequency response and low-frequency acoustic equipment. 60Hz -- the 250Hz section is the low-frequency structure of music, which contains the basic sound of the rhythm section, including the base tone and the rhythm tone. The ratio of it to high school notes constitutes the balance of the tone structure. Lifting this segment will make the sound plump and the overgrowth will rumble. The attenuation of these two parts will make the sound thin. The 250Hz - 2KHz section contains the low-frequency harmonics of most instruments, which, if promoted too much, make the sound like the voice on the phone. Excessive lifting of 600Hz and 1kHz will make sound