对敦煌舞体系的认识.pdfVIP

敦煌舞教学与学术研讨 对敦煌舞体系的认识 贺燕云 （北京舞蹈学院，北京100081） 【内容提要】敦煌舞自成体系，体现在三方面：源自于客观存在的古代敦煌壁画舞姿体系；经过创造性“复 活”具有独立美学特征的舞蹈语汇和韵律，有别于戏曲、武术舞蹈基础上形成的中国古典舞；具有深厚的历史 背景和文化内涵。敦煌舞的出现，引发了舞蹈学界对中国古典舞多元多样性存在与发展的认识。北京舞蹈学院 近年来把敦煌舞教学和研究作为加强中国古典舞学科建设的重要组成部分，有计划的扶持，体现了对中国古典 舞发展的深入思考和预见。笔者在教学体系上，把敦煌舞定位成“中国古典舞敦煌风格性舞蹈表演训练课”,以 古典舞基本功为基础，重点训练对敦煌舞独特舞姿形态、典型舞蹈语汇和舞蹈韵律的掌握与把控，强调从静态 到动态的转化，避免以动态回归静态的模拟；强调领悟舞蹈意境，获得心神与动作技巧自然贯通的游送感。敦 煌舞教学与研究前景广阔,需进一步将训练中的动作规格化、抽象化、高度艺术化；深入探究敦煌舞蹈的历史文 化内涵，认清其在中国舞蹈史中的位置；明确敦煌舞的独特美学表现，避免把特指的敦煌舞类型和一般意义上 仅以敦煌为题材的其他舞蹈品类混淆。 【关键词】敦煌舞体系；美学特征；教学训练 【中图分类号】J702 【文献标识码】A 【文章编号】1008-2018(2009)01-0017-06 View on Dunhuang Dance System He Yanyun (Beij ing Dancer Academy, Beij ing 100081, China) Abstract: Dunhuang dance has its own system comprising three aspect s: the dancing system originated from Dunhuang ancient Murals; the dancing vocabulary and rhythm with unique aesthetic characteristics, “revived” through creative construction, which differ from those of Chinese classical dance formed on the basis of Chinese local operas and mart ial arts; profound hi storic background and cultural contents. The emergence of the Dunhu ang dance has aroused interests in diversity and development of the Chinese classical dance. In recent years, teaching, researching and supporting with plans the Dunhuang dance in BDA has played an important part in strengthening the discipline construction of the Chinese classical dance, embodying the deep thought and vision of the development of the Chinese classical dance. In teaching system, the writer located the Dunhuang dance as ‘a performance training course of Chinese classical dance in Dunhuang style’. Based on basic skills of the Chinese classica