中国人物画的传承与长大(国外英文资料).docVIP

中国人物画的传承与发展(国外英文资料) Traditional Chinese paintings, landscape paintings, flower island paintings are popular, and the plum, orchid, bamboo and miscellaneous paintings are also quite developed. In the field of art, the emergence of a large number of regional, or style-based, drawing factions. On the teachers side, the main course is the court painting and zhejiang school of the style of the southern song dynasty, as well as the traditional painting of wu gate school of the development of the literati. In the aspect of painting, the water and ink landscape and the painting of the flower bird are flourishing, the achievement is remarkable, and the human body painting also has the unique new face such as the deformed character, the ink bone applied color image and so on. In the middle of Ming dynasty, as the center of the textile industry, suzhou, as the business and commerce developed, gradually became the rich metropolis of jiangnan. Developed economy promotes the prosperity of culture, at that time the humanities ceremony, famous artists, literati celebrities often set feasts, and poetry, they sang many freedoms mountains of literati to amuse themselves, also in esteem each other. They inherit and develop the interest and advocating ink morale and escape as they judged the yuan painting tradition, meanwhile to shen Chou, wen Ming, tang Yin, qiu yings most prestigious, four point called wu door. The painters they created, known as the wu protege or the wu sect, were the masters of the painting in the wu sect. New connections were made in painting between the days of wanli and chongzhen (1628 ~ 1644). Xu wei further perfected the painting method of flower and bird painting. Chen hongshou, Cui Zizhong, Ding Yunpeng pioneered the deformation, and zhang hong freehand brushwork figure painting, expression, brushwork shu lang, vivid, made by the folk living custom images, paintings mostly reflect street oh the life style of the late Ming dynasty, has a distinct feature of M