浙江民艺的保护与活化——以临安天目窑为例.pdf

No.1 Vol. 136 第 1 期总第 136 期 浙江工商大学学报 JOURNAL OF ZHEJIANG GONGSHANG UNIVERSITY Jan. 2016 2016 年 1 月 浙江民艺的保护与活化 一一以1)各安天目窑为例 胡晓东 (中国美术学院艺术设计职业技术学院，杭州 310024 ) 摘 要.地方是民艺保护的原点，在民艺研究与管理的实践中，需要地方主体的直接 参与和自觉保护，这是民艺传承、保护与开发的关键因素。文章以浙江临安天目窑为例，通过 探寻它的烧造与使用轨迹、传播与交流途径、文化与宗教内涵，来研究天目窑保护与开发的 对策，为浙江其他地区民艺文化发展、传统产业开发找到参考路径。 关键词:天目窑;民艺;保护;活化 中图分类号:J50 文献标志码:A 文章编号:1009-1505 (2016 )01- 0045 - 05 Countermeasures Study of Folk A时s Protection and Activation in Zhejiang Province 一一-Take ‘ Temmoku Kiln in Linan as an example HU Xiao-dong (The Vocational School of Art Design ,Chinα Academy of A时 ， Hαngzhou 310024 , China) Abstract: ‘ Region is the origin of Folk Art s protection , local entities direct involvement and voluntarily protect is needed in the practice of Folk Art s research and administration. This is the key factor of Folk Art s inheritance , protection and exploitation. This article takes ‘ Temmoku Kiln in Linan , Zhejiang as an example , through exploring its firing and using trajectory , propagation and communication , culture and religious connotation 10 study the countenneasures of ‘ Temmoku Kiln s protection and exploitation , and find the reference path for Folk Art s development and traclitional industry s exploitation in other regions of Zhejiang Province. Key words: Temmoku Kiln; Folk Art Industry; Exploitation; activation 民艺是由手工艺匠生产的一般民众在日常生活中所使用的工艺品，它除了有具体的艺术形态，也