【诗词观赏与审美情感】（国外英文资料）.doc

【诗词欣赏与审美感情】（国外英文资料） But without that kind of vastness, he would not have thought of a higher floor. The weather of the poem is like a schematic at the entrance of the park. Admittedly, it is a surface structure, but if we dont look through the surface, we dont have a big picture of what the weather is. Therefore, when we have mastered ZhiRenLunShi related materials, generally understand the content, although there is no in-depth experience and understand the connotation of the poems, our heart will inevitably exclaimed: this how beautiful! The praise of the beauty, a sign of a vague sense of the tone of the poem, shows that there are people in the works. When we experience the tone of a poem at the same time, also preliminary caught sight of the author of the poem, and thus feel meditate images of angry and spirit. The weather cannot be without the spirit. In short, it is a generalization of the style of man and man, such as du fus self-proclaimed brushstroke and the dry weather ( autumn xing ). In large, it is an overview of The Times ups and downs, such as the so-called shengtang meteorological. The weather may be small, but it is also a small opportunity. No wonder jiang has paid special attention to it. Of course, we dont care much about jiang. We want to make the first glimpse of meteorology as a gateway to a small window. Although we know weather may also just rough, or even trifling, may not fully meet the true content of the image, but it is the starting point of appreciation. The aesthetic process is gradually deepened. The most important thing is to enjoy the poetry and avoid the air in the first place. It is a law that starts from meteorology. Here, we might as well take a look at the meteorology of liu xis art of art in the late qing dynasty. He said: The spirit of the mountain cannot be written; The spirit of spring cannot be written, written in the grass tree. Thus the poem is without weather, and the spirit is nothing. It should be said that meteorol