托福写作关于影视音乐.pdfVIP

智 课 网 托 福 备 考 资 料 托福写作关于影视音乐 大家都知道托福写作需要考生们在复习的时候多看一些托福写作范 文，这对于大家积累托福写作素材是很有帮助的，那么针对movie mus ic的话题下面为各位准备了一个不错的材料，希望各位能从中有收获。 托福写作准备之托福写作素材：关于影视音乐的托福写作范文 Accustomed though we are to speaking of the films made before 1927 as“silent”， the film has never been， in the full sense of the word， silent. From the very beginning， music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896， they were accompanied by piano improvisations on popular tunes. At first， the music played bore no special relationship to the films; an accompaniment of any kind was sufficient. Within a very short time， however， the incongruity of playing lively music to a solemn film became apparent， and film pianists began to take some care in matching their pieces to the mood of the film. As movie theaters grew in number and importance， a violinist， and perhaps a cellist， would be added to the pianist in certain cases， and in the larger movie theaters small orchestras were formed. For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra， and very often the principal qualification for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces. Since the conductor seldom saw the films until the night before they were to be shown (if indeed， the conductor was lucky enough to see them then)， the musical arrangement was normally improvised in the greatest hurry. To help meet this difficulty， film distributing companies started the practice of publishing suggestions for musical accompaniments. In 1909， for example， the Edison Company began issuing with their films such indications of mood as “pleasant”， “sad”， “lively”. The suggestions became more explicit， and so emerged the musica