形式 文化与理性的唯美——关于中西艺术形式问题的比较研究.pdfVIP

形式主义大师那里，纯洁的形式既是他们的显著特征，又是他们所欠缺的地方。“形式” 在我们的上下文中，不会是单纯的存在于艺术作品中，而是一种媒介，只要有艺术作品 存在，形式便会存在，它诞生于艺术家与客观对象之间的联系中，它生成于艺术家的表 现过程中，而它又在艺术作品与观者之间达到成熟。在成熟阶段，形式不再仅仅是一个 媒介，不再单单起到联接作用，形式本身便成为了艺术作品的一部分，由此，形式衍生 于风格。 关键词: 形式 形状 优美 和谐 5 Abstract When we analyze a fine art, two key words equally often appear in the discussion —— form and shape, Arnheim discussed the two terms in his book, and pointed out that a distinction between these two words is very valuable. Of course, here we focus on not only the difference between the two terms, but more upper point to problems. A statement of Arnheim is very precious, there is no visual style exists for its own, and it always reproduces something beyond the existence of its own. That is to say, all the shape should be the form of content. He has laid a good foundation of understanding shape and form (which is limited to the visual arts). Form serves as a means for expressing shape ，it should express the shape or object completely by explicit way (the object can be objective, objectively social relations, or the connotation of mental, such as sadness, grief, anger , compassion, joy, etc.) Then, the shape is already determined by the facts, not only in its image features, but also in its state or the link (state, including: have occurred, is occurring, will occur; link should be in a certain state between things , which can be intimate and cold).However the concept of form is relatively complex. First of all, form is not only the logical extension of the shape, but also reflects various patterns of the shape. For example, the state of the shape, the abstract concept of the shape, the cultural connotations of shape and so on. Therefore, we can draw