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dfhgdfhdfhdhdfgdgd(国外英语资料) On the features of Wu Daozis landscape painting -------------------------------------------------------------------------------- In addition to the characters of Buddhism and Taoism, and spirit, Wu Daozi is a versatile, animals, landscape painting, Taiwan temple and vegetation are the highest in the world, and Chen Hong, Wei Wutian cooperation Golden Bridge map as an example. But among these subjects, the most successful and most creative and artistic contribution is landscape painting, but it has not been handed down from ancient times. From the art history, Wu Daozi in the painting temple murals, often have landscape background, vertical to rocks collapse, if can touch action, he very early pioneer landscape of the body, as a self. This is a no trivial matter from Wu Daozi, Zhang Yanyuan said: the landscape change, began in two Wu, li. Two Li is Li Sixun and his son Li Zhaodao. The Tang Dynasty, have seen a lot of past dynasties Fort Zhang Yanyuan, in view of landscape painting before is still at the beginning stage and growth stage, is not mature, there are many disadvantages, so he criticized: the landscape painting, while the peaks, if tin decorated rhinoceros comb. The mountain shaped like jewelry and women like horn comb, too much decoration and duplicated no change. Or water does not allow flooding , the peoples Congress in the mountains. Water paintings are not natural and narrow, shallow, can not rafting, people painted larger than the mountains, which is the landscape from the background of the status of an independent performance of inertia. On the hill were attached to the stone tree, which are planted together, like, if one refers to the cloth. The arrangement of tree stones is as symmetrical as a mans outstretched arms, and his fingers are as neat and tidy as his fingers. These problems can be seen in the Gu handed down copies of Lo River map. At the turn of the Sui and Tang Dynasties, Yan Lide, Yan Liben, Yang Zihua, Chan