从“文化工业”到“文化产业”(国外英语资料).doc

从“文化工业”到“文化产业” [Abstract] this paper argues that the concept of cultural industry of the Frankfurt school was re interpreted by French scholars as a cultural industry in the plural in the 1970s. The transformation of this concept enriches the content of political economy from the angle of industrial economics, and helps us to understand and grasp the development trend of information capitalism from the interaction between technology and society. The political economy of communication, which originated in the 1960s, follows the western Marxs theory and methodology. First, it criticizes the economic basis of the social structure of Western countries. According to Robert? W? Mike Chesneys statement, there are three historical causes: the first is the accumulation of capital has become a social topic, when the capital and commercialism filled with every corner of social life, non commercial value and system have to accept their second class status, must embrace, or at least to cater to the market, otherwise we should do a good job to be crushed. As Marx and Engels famously argued, all that is fixed has vanished into thin air.. [1] second is the prevalence of commodity fetishism, around the commodity production, the capitalist society has given us in daily life, making the sale and purchase of products on the surface of the magical personality. This obsession, typically brand names and advertising slogans, transforms social relations between people into objects and things. [2] third is the ideological critical theme that people rediscovered Marxs doctrine, that is, the class dominating the material production, and also dominating the material of spiritual production. Therefore, the idea of an age is not destined to reflect the views of the ruling class, but these ideas tend to tend to coincide with the interests of the ruling class. [3] briefly, the critical point to note two important reality of developed countries: the first is the impact of political and economic powe