样板戏的艺术缺失(国外英语资料).docVIP

样板戏的艺术缺失 The art absence of Model Operas Every revolutionary opera is a large system of construction project is in the cultural revolution, which cast the manpower such as Wang Zengqi, Ajia et al, artistic creation and leadership through the highest decision-making level is unprecedented. Although people can also be seen even in their educational function and political color to highlight at the time, but even todays readers and viewers are willing to recognize and accept the impression that the model play in art is thoroughly tempered, especially with a rush now hundreds of crudely made works of art, can be called the era boutique. Therefore, for a long time, people may rethink the political orientation of the left of the model opera from the ideological tendency, but seldom reveal the serious lack of the model opera from the angle of artistic creation. With speculation and rendering of contemporary media fuss, with young people on the traditional opera style cloyed impressions of emotional growth, meaning to modern classical opera as the main body of the model play its art has been strengthened and the completeness of the display of exaggerated. If we do not model play the reality from the text of their artistic quality to be carefully analyzed and realistic evaluation, to spread any of the model opera art perfect imagination and illusion from generation to generation, it would be a loss of academic responsibility. One The purpose of the model opera is to serve the workers, peasants and soldiers on the surface, but the basic political goal is to serve the political, publicize the service, educate the people and arm the people. During the cultural revolution, in some political logic inference, this dual purpose is one and two, two and a maximum value for the service: gongnongbing is to raise the awareness of the service object, the implementation of political education to them, armed their minds, is best for their service. Can be reflected in the artistic performanc