“社会万象的面滤镜”—浅谈中国当代油画.pdfVIP

“社会万象的一面滤镜”—浅谈中国当代油画 论文题目：“社会万象的一面滤镜” —浅谈中国当代油画 专 业：美术学 硕 士 生：陈泉 指导教师：焦野 摘要 至明代以来，油画在中国的发展已有几个世纪，但真正大规模的普及是从近代才开 始的。在每个不同的发展时期，油画在中国社会所扮演的角色和起的作用都不尽相同。 那么时至今日，在物质文明空前发展和精神文明极度空虚的当代，中国油画又扮演着怎 样的角色，起到什么样的作用呢?它又将如何扮演好历史赋予它的这个角色，充分发挥 它的功用呢？本文试图通过研究中国当代油画家对于创作题材和表现手法的选取，分析 他们是如何寻找艺术与社会的切入点，进而对社会进行关注和批判，由此引起人们对社 会的反思。希望借由研究中国当代油画创作题材，寻找一条中国当代油画如何能更好的 服务社会大众，成为社会大众生活一部分的方法。 关 键 词：当代油画 社会 批判 关注 研究类型：理论研究 I “社会万象的一面滤镜”—浅谈中国当代油画 Subject: “Vientiane social side of filter” —discussion on the creation of contemporary Chinese oil paintings Specalty: Art Name: ChenQuan Instructor: JiaoYe ABSTRACT To the Ming Dynasty since, oil painting has been developed in China for centuries, but the real scale popularization in modern times began. In each different development period, oil painting in Chinas social role and role are not all the same. So today, the material civilization and spiritual civilization the unprecedented development of contemporary Chinese oil painting extremely empty, and played what role, to play what role? And how will it play history endows it with this role, give full play to its function? This paper tries to study the Chinese contemporary oil painters in creation theme and technique selection, analysis of how they are looking for art and society, and the social concern and criticism, which causes the people to social reflection. Hopes that by the study of contemporary Chinese oil painting theme, looking for a Chinese contemporary oil painting how to better serve the community, become a part of social public life method. Keywords: The contemporary oil painting Sociology Criticism