杜甫七律调声研究 - 台北大学中国文学系.PDF

臺北大學中文學報 第 15 期 103 年3 月 頁25～36 25 杜甫七律調聲研究∗ ∗∗ 許清雲 摘 要 唐代近體詩的創作，特別重視聲韻的和諧。杜甫寫詩是相當用心在經營與雕琢上的，尤其晚年大 量創作的七言律詩，極具音樂之美。杜詩七律調聲技藝相當多元，或浮聲切響，或雙仄異調，或入聲 複疊，或拗救調聲，皆頗具成效，能達成其理想目標。這些技藝雖盛唐詩人也曾採用入詩，非杜甫的 獨門絕學，但杜甫是有意用它來經營其七言律詩，使之聲律更加悅耳，音韻富有變化。再觀察其整體 的聲律結構，運作靈活，手法老練，盡善盡美，所以有極佳的音樂美感。 關鍵詞：杜甫、調聲、七言律詩、浮聲切響 ∗ 收件日期：2013/11/28 ；修改日期：2014/03/11 ；接受日期：2014/03/21 ∗∗ 東吳大學中國文學系教授 26 臺北大學中文學報 第 15 期 A Research on Tu Fu’s Chi Lu Diao sheng∗ Hsu Ching Yun ∗∗ Abstract The poetry in Tang Dynasty is especially focused on harmonious rhyming. Tu Fu (杜甫) always stressed on elaboration and decoration when he composed poetry. Especially his Chi yian lu shui (七言律詩) in his old age which had musical beauty. His chi lu diao sheng (七律調聲) method in writing poems is very skillful and effective. He used four methods fu sheng chie shiang (浮聲切響), shuang tza yi diao (雙仄異調), ju sheng fu die ( 入聲複疊), and ao chiu diao sheng (拗救調聲)alternatively and could attain his expected target goal. Some other contemporary poets in his time also adopted these methods, yet only Tu Fu perfectly and deliberately used these poetic meter and made his poems musical, that is to say, very pleasing to the ears. Observing the whole euphonious structure, we find that his skills is flexible, sophisticated, and perfect, and has the musical aesthetics. Key words: Tu fu, Diao shemg,Chi yian lu shui,Fu sheng chie shiang ∗ Received ：November 28,2013 ；Sent ou