民族的也是世的——浅析陈勇艺术歌曲的创作、演唱和教学.pdfVIP

中图分类 密 级 UDC 分类 学校代码 10690 硕士研究生学位论文 论文题目民族的也是世界的 ——浅析陈勇艺术歌曲的创作、演唱与教学 院 所 音乐学院 年 级 2009 级 所属学科 音乐学 专业方向 声乐演唱与教学研究 研究生姓名 崔 婷 学 号 1069090015 导师姓名 王 红 星 职 称 1 目 录 摘 要·····························································1 Abstract ·····························································2 第一章：关于艺术歌曲················································1 第一节：艺术歌曲概念、历史、特点 ································1 第二节：艺术歌曲在欧洲发展······································2 第三节：艺术歌曲在当代中国发展情况 ······························3 3.1 五四运动后民国初期 ···································3 3.2 抗战时期和解放战争时期 ···································3 3.3 改革开放近三十年·········································3 第二章：中国艺术歌曲创作基本状况与陈勇艺术歌曲的创作的特点··········4 第一节：中国艺术歌曲发展中少数民族音乐元素的融入················4 第二节：陈勇生平及其作品········································5 第三节：作品的创作背景 ···········································6 3.1 云南的特殊地理、历史环境·································6 3.2 多民族的音乐文化·········································6 3.3 艺术歌曲的发展趋势·······································7 第四节：陈勇艺术歌曲的主要特点···································8 4.1 国际化的创作手法·········································8 4.2 少数民族地域色彩的融入···································9 4.3 原汁原味的少数民族题材··································10 4.4 艺术性和民族性兼备······································12 第三章：用民美结合的唱法来展现陈勇艺术歌曲··························13 第一节 表现陈勇艺术歌曲的最佳唱法——“民美结合”唱法···········13 1.1 艺术性很强，不能完全用民族唱法···························13 1.2 民族性很强，不能完全用美声唱法··························14 1.3 民族唱法与美声唱法相结合···········