冯纪忠中国错失了的东方现代主义（Feng Jizhong Chinas missed Eastern Modernism）.docVIP

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冯纪忠中国错失了的东方现代主义（Feng Jizhong Chinas missed Eastern Modernism）.doc

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冯纪忠中国错失了的东方现代主义（Feng Jizhong Chinas missed Eastern Modernism）

冯纪忠中国错失了的东方现代主义（Feng Jizhong Chinas missed Eastern Modernism） When Mr. Feng Jizhong died of illness in December 11th, Shanghai, Beijing and other parts of the newspaper culture version claims that a Chinese era building over there is, known as the Chinas modern architecture founder has, on the topic of cannot be forgotten by the modern architecture are also advanced. These highly abstract and empty slogans, headlines, and the Baidu encyclopedia are just proof of our media and the ignorance of this age of Feng Jizhong. The essence of the problem is the loss of Feng Jizhong. What is it that we have lost? The answer to this question requires us to find out what he has done and what he has failed to do in the past half century. Feng Jizhong studied civil engineering at the University of Shanghai in Saint John (1934), when Ieoh Ming Pei and Hu, who were in the same group, did measurements. In 1936, he went to Austria, Vienna University of Technology (T.H.) to study architecture, which had a direct kinship with the Bauhaus, and some Bauhaus teachers were even apprentices. As Feng Jizhong himself said, Gropius is learned of Behrens, Behrens is the Vienna University of Technology student Otto Wagner. Otto Wagner is the late part of the so-called new art style, and the trend of modernism has come out in Vienna. Therefore, Feng Jizhong accepted in Vienna, in fact, was the most modern architectural design training. There, learning to build is no longer a study of architecture, but the need to learn the road system, the water supply and drainage system, the study of space structure and even hands-on sculpture. As an engineer, graduated from Feng Jizhong, the function of the space has become the core problem of the design and planning, and no longer adhere to the traditional classical architecture for such as roof, doors and windows or some form of so-called aesthetic and carved pillars. But the Chinese architects of modernism have not yet played and liberated the modern charm a