人穷则返本--精神的虚无困境与信仰的奇特回归(Man is poor, but he returns to this -- the nihility of spirit and the strange return of faith).docVIP

人穷则返本--精神的虚无困境与信仰的奇特回归(Man is poor, but he returns to this -- the nihility of spirit and the strange return of faith).doc

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人穷则返本--精神的虚无困境与信仰的奇特回归(Man is poor, but he returns to this -- the nihility of spirit and the strange return of faith) Man is poor, but he returns to this -- the nihility of spirit and the strange return of faith Author: Wu Zengding Original: cultural China In recent years, the overall prosperity of Chinas TV dramas has become a quite conspicuous fact. Almost every other period of time, there will be a batch of twists and turns, moving, positive thinking of outstanding TV drama. Many people have noticed that these outstanding drama not only people talk at leisure, but has become a serious public issue, even to a certain extent, assume today China customs and social function of moral education. In these excellent TV plays, perhaps the most eye-catching performance is the revolutionary historical theme TV drama. For example, like silent oath plot and hidden and other TV series, not only for a long time to occupy prime time and focus on major television channels, and has become the focus of discussion in the newspapers, Internet and TV media. However, it is interesting to note that when we discuss the reasons for the success of these dramas, we almost think of a word that makes us both familiar and unfamiliar. Indeed, despite the drama of the story itself not to talk, they have been able to attract the audience, one of the most important reason lies in that the heroine of the revolution, faith and dedication to the audience to have a strong shock, and even cause their hearts spiritual resonance. On the face of it, it seems strange, after all, that any successful TV play must have something to impress. But if we relate to the unique circumstances of todays times and society, we can not be surprised and confused by this phenomenon. Once upon a time, faith was not only the theme of a film and television work, but the real content of Chinese life. At least in most Chinese peoples childhood and early childhood, beliefs and other revolutionary words have been deeply branded i

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