压缩器的使用方法（The use of compressors）.doc

压缩器的使用方法（The use of compressors） Voice tracks are always incongruous in your remix. Its not that theres a lot of sound that sounds like a lot of soft, but its not as powerful as you want it to be. - solutions: Control the dynamic range of acoustic track, namely, reduce the difference between the maximum level and the average level of the track. This will make the sound track more harmonious with the whole music and make it sound fuller and more powerful. At the same time, due to the decrease in peak level, you can also improve the track level properly. - potential dangers: So after processing, you indeed to the control of dynamic range, the fullness of sound, but at the same time the high frequency component will sound phase by weak, this can lead to voice sounds very dull and no presence. Youll also hear exhale and breathe in as the compressor opens and closes. - processing steps: 1) using a mixer channel into the function to connect the vocal tracks on the compressor, when do you need a special insert the attachment to finish the work, youll have to check your illustrations of the mixer, bottom is a kind of what kind of attachment, when you see it with the ordinary auxiliary send and return to there is a difference between auxiliary. The channel insertion function allows you to process the entire human voice signal, while using the auxiliary circuitry will also mix the compressed signal with the original sound signal. 2) set the threshold value parameter of the compressor to 0dB, the ratio is set to 2.5: l, the parameter setting is 10 ms when the sound head is set, and the parameter setting is 150 when released MS. The gain parameter should be set to 0 dB. If your compression device has a hard turning point and a soft inflection point, set it to a soft inflection point. 3) start playing back music and listen carefully. While listening to the compressed sound output, slow down the threshold parameter until you feel the compression work. Most of the compressors have