翻译美学指导下的《大卫·科波菲尔》三译本比较研究 .docVIP

　　翻译美学指导下的《大卫·科波菲尔》三译本比较研究----英语语言学论文 --Chapter 1 General Theory of Translation Aesthetics As soon as literary inds. As far as the translation eaning of the source text as exactly as possibly, but also payspecial attention to the diction of the target text, so as to produce such a beautiful andnatural target text as the source text, and consequently it bees of appropriateness andquite of necessity to render Translation Aesthetics Theory as guidance ent both at home andabroad. A retrospect into the development reveals there exists a close relationshipbetented in thischapter e relative studies on Translation Aesthetics. 1.1 Aesthetics Aesthetics appears in history as a philosophical concept. It involves many elements.Different philosophers conduct studies from different aspects. No matter from ents, aesthetic object, esthetic subject andaesthetic activity are the main research subjects.In 1750, Alexander Gottlieb Baumgarten(1714-1762), the German philosopher,published his book named Aesthetics, an perception or feeling, including human affection,aspiration, imagination, intuition and fantasy. According to the book Aesthetics, threeelements are involved in the study, e span of about 1800 years. During the period, translation theory islinked to literary aesthetics.The representatives in the ent that Tullius Cicero and Quintus Horatius Flaccusstarted the ousancient Roman Philosopher, is generally regarded as the primogenitor of eaning-for-meaning translation. Quintus Flaccus Horace used aesthetic criteria intranslation and promoted it. The vieportant part ofthe history of western translation theory --is the Classical Period, e out as a book 1849 to 1850 and it is regarded as the dearest child by theauthor Charles Dickens himself.Regarded as one of the greatest critical realist novelists during the Victorian Time,Charles Dickens might be the most popular ed to be one ofthe first es. Born on February in1812 in Portsmouth, Charles Dickens did not receive much education in