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三国两晋南北朝(The three countries are in the northern and southern dynasties)
三国两晋南北朝(The three countries are in the northern and southern dynasties)
Chapter iv the three countries in the southern and northern dynasties
(wu) (wu) (wu) (wu) (wu) (wu) (wu) (wu) (wu) (a) (a) (a) (a) (a) (a) (a) (a) (a) (a) (a) (a) (a) (a) (a) (a) (a) (a) (a) (a) (a) (a) (a) (a) (a)
2. The painting trend of western jin wei association (fine) and the pursuit of attention (wind style).
3. Liu Tanwei of figure painting and the image of osteoblasts phase (show), he is (5) after a century of the most influential painter, good painting (religion) (celebrities portraits) (custom story), department (liu song period of the painter.
Monk to go 4. Zhang yao is () in thin body line painting pen style, the pen is just a little, as to how, the buddhist art in the (jia-xiang zhang), absorbing foreign painting (nanjing by temple of concave and convex flower), active in the (XiaoLiang) period.
Cao zhongda was a painter from caoguo of central Asia, who was a painter in the period of (north qi). He painted the image of the brahman, the religious art of creation (cao jiaxiang), whose body is thick and narrow and his coat is narrow.
6. Shaikh is (nanqi) the painter, the author (picture), shaikh the role of painting is (the Ming exhortation, the rising, the loneliness, the picture is visible). The six laws are (verve) (in the form of the bone method) (in the shape of the object) (operating position) (the die transfer).
Dai kui was an artist of the same period as the artist of the dynasty, the sculptor of the first (China is the Buddha).
8. Dai Kui apply (bodiless lacquer) technology to sculpture, created (clip Zhu zhu) image, overcome the contradiction of modelling size and weight increase.
The poems of cao zhi are based on the poems of cao zhi.
The artist who proposed to write god is (gu kaizhi).
The greatest painter in the western jin dynasty is the wei.
12. The painter of the bone and qing phase of human painting is (lu weiwei).
13. The painter, known as the pen and the elephant, i
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