craigmullins绘画教程 中文翻译(Craigmullins painting course Chinese Translation).doc

craigmullins绘画教程 中文翻译(Craigmullins painting course Chinese Translation).doc

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craigmullins绘画教程 中文翻译(Craigmullins painting course Chinese Translation)

craigmullins绘画教程 中文翻译(Craigmullins painting course Chinese Translation) 2 significance of sketches 0-1 I believe that every business painter will have the problem that your client will ask you to use a painting to represent the concept and often give you a certain time limit. You have to finish a highly reliable work in a limited amount of time, but the inspiration for this painting is not always there, especially under the pressure of time. So we need to start painting immediately in accordance with the laws of our painting, and slowly in the process of painting, imagine the content of the picture, the effect, details. (the master seems to have talked about it, too.) 1-2 You can see from many magazines or DVD in different ways, different people draw, but basically methods are similar, draw lines, and then began to like from the dark. The biggest pressure is when you paint, but theres no way. Its the nature of business. We have to follow the rules. I think planning time is very important. Usually in school or at home to draw some experimental painting, these paintings are no one will see, so do not nervous, no one to supervise the criticism of you. 2-3 So the more bizarre we can draw the more experimental things we have, the better. Then, a small number of experimental works will return to our commercial works and become creative. Experiment with different MEDIA (this I do not know how to translate, personal understanding, using different software, or different painting material) to break the usual creation ideas. 3-4 The process of painting is very much the same. First we start the big black and white relation, then we consider what is under the light and what is under the shadow. Start with bigger things, then draw small ones. In this way, the painting will be more believable and efficient. But because we always do the same thing, we always get the same result at last, and our pictures always feel the same. One way to break the same result is to paint in more than

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