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真假混合声的训练(上)沈湘(The training of true and false mixing (I) Shen Xiang)
真假混合声的训练(上)沈湘(The training of true and false mixing (I) Shen Xiang)
Sound area is the objective existence, people have really sound (the vibration of vocal cords) and falsetto (the edge of the vibration of the vocal cords are two) function, is precisely the ingenious mix of the two factors, moderate, we get a broad range, the range is beyond the scope of the language life need. The degree of mixing of true and false sounds varies with pitch. The sound more high falsetto composition more head resonance more abundant; on the other hand, go to low true voice more and more, the composition is also more chest resonance. However, not all the pitches in the whole vocal range are easily balanced by the proper balance of true and false. A high content of sound, sound really sound components low, it is easy to do. But from low to high, that is difficult to grasp the excessive register, reason is the change of each component of the true sound segment in the mixed range is very large, so only to find the appropriate proportion, in order to make a unified register. This is the most difficult for beginners to master, and must be considerable effort and patience to carve. This is what is commonly referred to as the zone of voice change. Of course, there are a lot of voices in the sound zone. Some people say there is a sound zone, and some people say there are two sound areas. Some people say there are three...... Because the true sound proportion of each sound from low to high is not the same, so I think to every sound is called a sound area is also acceptable. The problem is this change must admit the objective existence, see mixed true sound in each pitch in a proper adjustment, because due to such adjustment, it constitutes a sound from low to high consistency.
Bel canto differs from other singing methods in its main features, which is summed up in one sentence: Bel canto is a mixed sound zone singing. As stated earlier, the bel canto from sound, is the true voice with falsetto
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