analysis of classical chinese aesthetic thought and artistic conception of the song dynasty landscape painting(分析中国古典美学思想和宋代山水画的意境).docVIP

analysis of classical chinese aesthetic thought and artistic conception of the song dynasty landscape painting(分析中国古典美学思想和宋代山水画的意境).doc

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analysis of classical chinese aesthetic thought and artistic conception of the song dynasty landscape painting(分析中国古典美学思想和宋代山水画的意境)

Analysis of classical Chinese aesthetic thought and artistic conception of the Song Dynasty landscape painting Development from the historical point of view, the Song Dynasty is divided into Northern and Southern Song Dynasty in terms of style, the Northern Song landscape painting altar, many famous, mainly about the same, Li Cheng, Fan Kuan, the style is different. Mainly Guan Tong male Qiaoba, Li Cheng KuangYuan and Fan Kuan Jie. Southern Song Dynasty painter Ma Yuan, he gives the painting a subtle beauty. landscape painting in the Northern Song Dynasty and the Southern Song distinct compositional style, the Northern Song Dynasty is a panoramic view of the composition, and Southern Song Dynasty to create a novel composition to discard Hunxiong great to take the light of small, as well as to meet different aesthetic requirements the painting environment Yuan, indifferent, giving a fresh, open spaces mood and imagination. But as a whole, the Song Dynasty landscape painting both unity in diversity, see also common in personality, they represent the artistic style of the Song Dynasty landscape painting. Zhongyuan School of Painting and academy landscape painting in the Northern Song Dynasty is the mainstream in the language of art, the Northern Song Dynasty landscape painting is frequently used panoramic composition or overlapping mountains, or trees complicated, or wide position far and wide vision, or overwhelming, intricate fullness or endless ink fan subtle, refreshing and dignified. basically filled the screen, the objective panoramic holistic depicting nature, rich sense of deep content, to give us the feeling of fullness without the Northern Song Dynasty landscape painting. [1] Zong Baihua the article pointed out: “mood” of real virtual scene gt;gt; lt;lt; mood of the birth of Chinese art image or scene showing scenes and profound philosophy of life and the universe contains and clear the highest level of consciousness, which is the main emotion

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