二胡的调理与保养之琴皮篇(The conditioning and maintenance of Erhu).docVIP

二胡的调理与保养之琴皮篇(The conditioning and maintenance of Erhu).doc

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二胡的调理与保养之琴皮篇(The conditioning and maintenance of Erhu)

二胡的调理与保养之琴皮篇(The conditioning and maintenance of Erhu) A handy good instrument is undoubtedly of special importance to the performer. But a good beard, in addition to its excellent texture, requires careful conditioning and proper maintenance by the performer, so that it can blend with you during the performance. If the lack of maintenance of the player, then a good instrument can not play its best performance. Below I will each part of the erhu conditioning and maintenance for a brief introduction, for readers reference. [Qin skin] Qin Pi is one of the most important parts of erhu. Good Bo Shizhong, Qin thick uniform, neatly arranged in lattice scales. Vertically and horizontally, black block in the middle, yellow block divided on both sides, clear, smooth surface, not tilt the scales. But it is very rare in the erhu that the violin is very rare. The face toward the light, to see if the cylinder from the piano piano is very dark, almost impervious to light, such as the partial thickness skin organ. The thickness of the instrument affects the vibrations of the resonant body, making the tone dark, emitting wood, and having smaller volume. At this point, you can remove the barrel, and use a flat wooden stick, wrapped in a thin layer of water sand paper, dipped in a small amount of water into the barrel, from the top down, along the python skin fiber, gently grinding the back of the Qin skin. Pay attention to light sanding and inspection, make sure the Qin thick thin uniform, moderate. After grinding, wipe with a cloth powder, and then use cotton swabs coated with a layer of vegetable oil can be. Through the examination of light, such as found too thin skin, you can remove the barrel, and use a cotton swab dipped in melted wax liquid, while the hot coating on the back of the Qin skin, when coating, to control the wax layer thickness. After the coating, then put the face of the violin facing the small fire, and then put it flat for a while, so that the wax layer is even

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