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动画文献综述(Animation literature review)
动画文献综述(Animation literature review)
Animation literature review
A performance China ink animation in the abstract, the concept of freehand and post modern design works is natural, with an artificial way of wonderful have different approaches but equally satisfactory results. Post modernism design works, but can catharsis, release their emotions, but only through the creation of visible colored works to express some ideas inside. And Chinese ink animation in bold concise, crisp pen depicting the images and spirit, to express the feelings of the authors methods and postmodern works have in common. Freehand animation works in the performance object is based on generalization and exaggeration, rich Lenovo, pen although simple but far-reaching conception, has certain performance. It has a high generalization ability, there must be a little more subtle moods, to picture must be accurate, the pen to be skilled, can be handy, will write with ease. But, just splash ink brush between the artistic spirit, such works coincides with postmodern style. Elegant, subtle, natural aesthetic view Chinese, it is not like us loud and bright colors, just a touch screen, but have a profound artistic conception; in the mountain, nature, natural quiet, bring people away from the reality of the city, a simple picture. The daily complex forgotten, distant mood is a lot of foreign animation flow to form the surface can not be compared, this is the most China characteristics of film and television animation form.
3, the first birth of ink animation film and television industry at home and abroad have made amazing. 60s, ink cartoon Little Tadpole Looking for Mom, is China at the beginning of the design, open a simple painting album, a quiet pond scene into the light, Pipa and guqin music, lays out a common beautiful lyrical ink world. In the film, little tadpole, lively and lovely, like a group of innocent children. Can be said that each of the two lens is a moving picture, make the audience feel
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