诗歌的艺术美（The artistic beauty of poetry）.docVIP

诗歌的艺术美（The artistic beauty of poetry） The poem is not fixed, the use of the wonderful heart. This brings great difficulties to poetry appreciation. Some friends often say: poetry criticism is a very emotional thing, not reason. There is some truth in this statement, and it is not entirely reasonable. The fatal mistake of this view lies in exaggerating the aesthetic differences of different subjects to poetry, and the relative independence of the beauty of the object of poetry itself. The direct consequence of this view is that superstition authority, superstition majority, its harm is self-evident. In my opinion, it can always say 1234. This paper tries to give my simple ideas from the theoretical level and the evaluation criteria of poetry. Because I know very little about poetry, so mentioned here refer to poetry poetry. What is good, what is bad? This is a very complicated problem. I personally think that the distinction between the poem and the bad poems is the standard of beauty. The beauty here refers to the generalized beauty, and beauty, beauty is gloomy, bold is beautiful, melancholy is also beautiful, bright and spacious is beautiful, light is beautiful. This article does not intend to analyze the essence of beauty philosophically, but intends to put forward some ideas about the feasibility of poetic aesthetics on the basis of the analysis of some poems. First, the source of the beauty of poetry: The beauty of poetry is the beauty of the whole, and it is difficult to separate the various sources. However, the vast majority of the beauty of poetry is due to the following parts: 1, the beauty of imagery. Imagery is the most common technique in poetry. Through the ages, many excellent poems have shown us numerous and complicated images. Majestic, never to return, Huang Yun million in wind, snow white wave nine flows; deep open, boundless Xiao Xiao Lamu, endless rolling to the Yangtze River, there is a dynamic win, Jiang wave and Chung day, energy-saving to wi