现实中的现实—漫谈安妮霍尔的人性展现（Reality in reality -- a talk on the human nature of Anne and Holzer）.doc

现实中的现实—漫谈安妮霍尔的人性展现（Reality in reality -- a talk on the human nature of Anne and Holzer） Reality in reality -- a talk on the human nature of Anne and Holzer From the point of view of Marx, beauty is defined as the objectification of human essential power. In the book introduction to film aesthetics, Jin Danyuan argued that such an explanation would simplify the profound proposition. To discuss the beauty, to be human nature to establish a comprehensive understanding, that is in a certain historical conditions and the current situation of human freedom, purposeful and conscious (sometimes by unconscious and transformed) the sum of all social relations formed the activities of the. In most peoples behavior (including unconscious activities) held by nature embodied in human nature, then reappear on the object of the self, the self affirmation and can see, of course, are destined to be the power of human nature. Therefore, he further defines beauty: Beauty is a kind of freedom and consciousness to reflect peoples creative activities, or to show by participation in the harmonious interpersonal relationship, can see the essence of human wisdom, talent, ideas, ideals, volition, character, personality, love, feeling et al, which can cause peoples pleasure and good vision specific sense of objective image. The essence of beauty is the complete objectification of the essential force of human beings, which includes both the essence of human thinking and the sensuous pleasure of human beings. Art as a means of beauty , it embodies the above conclusion, this further, the film as a form of art, undoubtedly show beauty, But the point is how to behave? First of all, lets start with the essence of the movie. Film is a record of superficial phenomena (Wang Zhimin). The film records or presents a phenomenon through special techniques. This paper will take American pioneer director Woody Alan and Anne Holzer as the text analysis, explore how the meta -- a new and bold style of film natu