各调和弦推算（Chord count）.docVIP

各调和弦推算（Chord count） Chord count Source: Gu Weichuns Journal First, lets look at the chord of the second order. The so-called progressive chord refers to the chord that is composed of the inner tone, that is, the inner chord. Lets start with C major and remember the scale in C major C? F 2E, F, G, A, B =1, 2, 3, 4, 5, 6, 7 For chords, we use Rome numbers to represent them Chord progression: I m II III IV V VI VII dim m m Chord name: C, Dm, Em, F, G, Am, Bdim That is to say, we can use the sound of each tone in the scale as the root, and then add the diatonic scale to the three degree relation, then we can get the order of the chord of the order. Which I, IV and V is the inevitable triad, II, III, VI is necessarily mistress chord, so m said, must be reduced so seventh chords to write dim. Now you can make the 7 chords all over yourself and see if thats what we are saying. Well, in C major, is that the same with other tones? OK, lets see. For example, lets start with G major G, A, B, C, D, E, F#=1, 2, 3,, 4, 5, 6, and 7 Lets arrange the chords: G-B-D =1-3-5 = G A-C-E =2-4-6 = Am B-D-F#=3-5-7 = Bm C-E-G =4-6-1 = C D-F#-A = 5-7-2 = D E-G-B =6-1-3 =Em F#-A-C=7=2=4 =F#dim M m I and II III IV V VI VII m dim G, Am, Bm, C, D, Em, F#dim Also conform to this rule. In fact, as long as the scale conforms to the laws of 1, 2, 3, 4, 5, 6, 7, 1 (all, all, half, all, half, all, half, and so forth), it also conforms to the law of this order of chords we say. Now take out your paper and pen and arrange the 12 tone chords on the paper. In accordance with C, F, Bb, Eb, Ab, Db, Gb, B, G, E, A, D, and the order of I II M III M IV V VI M VII dim C#C# D#m E#m F# G# A#m B#dim F# F# G#m A#m B C# D#m E#dim B B C#m D#m E F# G#m A#dim E E F#m G#m A B C#m D#dim A A Bm C#m D E F#m G#dim D D Em F#m G A Bm C#dim G G Am Bm C D Em F#dim C C Dm Em F G Am Bdim F F Gm Am Bb C Dm Edim Bb Bb Cm Dm Eb F Gm Adim Eb Eb Fm Gm Ab Bb Cm Ddim Ab Ab Bbm Cm Db Eb Fm Gdim Db Db Ebm Fm Gb Ab Bbm Cdim Gb Gb Abm Bbm Cb