毕业论文（设计）东汉喜乐俑造型艺术研究.docVIP

目录 摘要 1 引言 3 一、东汉喜乐俑概述 4 1、社会背景 4 2、喜乐俑的艺术成就 5 二、东汉喜乐俑的分类及造型特点 6 1、题材分类 6 2、喜乐俑造型特点 7 三、东汉喜乐俑的表现形式 9 1、生动简练的再现手法 9 2、夸张写意的表现手法 9 四、结语 10 参 考 文 献 11  摘要 陶俑艺术和其他造型艺术同样，是一定的社会生活和思想意识的反映，它体现着整个时代的物质基础和精神面貌。由于两汉处在中国封建社会的上升阶段，因此，它所形成的国家强盛和雄健的民族气魄，也很自然的反映在这一时期的陶俑艺术中。中国的墓俑雕塑，在古代雕塑史上占有极其重要的地位，它在中国雕塑遗产的两大体系中，属于陵墓雕塑的一部分，是表现当时人民生活的记录。东汉后，艺者相结合，既接受时代的赋予，又赋予时代更为璀璨的艺术文明。 通过对东汉喜乐俑作品研究，分析东汉喜乐俑的题材、风格、表现语言及其生成的原因，充分肯定时代和社会力量对其艺术创作产生的深刻影响，指出当代陶塑创作应在大时代背景之下将博大深远的传统精髓与彰显艺术家时代特色两者相结合，既接受时代的赋予，又赋予时代更为璀璨的艺术文明。 关键词 东汉喜乐俑 造型艺术 Abstract Hooped head-dress art and other arts also, is certain social life and thought consciousness of reflection, it reflects the whole era of foundation and outlook. Because in the han Chinas feudal society, therefore, it rise stage by the formation of the country strong and powerful nation verve, also very natural reflected in this period in art arrayed opposite. Chinas tomb, in ancient musicians sculpture link between the past occupies an extremely important status in China, the two big sculpture legacy systems, part of the tomb sculpture belongs to the peoples life, is at record of performance. After the eastern han, art, combined with the already accept era, and gives era gives more bright artistic civilization. Art creation by features to model, again in favour of attainments, for the development of Chinese art culture plays an important role. Its influence such as the later dynasties period, make sculpture art grotto art more humane artistically. This period of its most musicians and the joy of masterpiece, it to adapt to model the contemporary historical conditions there. Through the eastern han dynasty, work study joy warriors in the eastern han joy warriors analysis of theme, style, expression language and generating reasons, full affirmation of The Times and social forces the profound influence which produces art creation, and points out that the contemporary TaoSu creation should be in already accept era, and gives the given more bright artistic civil