毕业论文（设计）浅析刘传作品之《钟馗捉鬼》.docVIP

浅析刘传作品之《钟馗捉鬼》  目录 摘要·························································· 1 Abstract······················································ 2 前言·························································· 3 第一章：刘传和代表作《钟馗捉鬼》的介绍·············· 4 第一节：刘传其人··········································· 4 第二节：师承何人············································4 第三节：传承弟子··········································· 5 第四节：《钟馗捉鬼》的简述···································6 第二章：《钟馗捉鬼》的材料和创作技法··························7 第一节：《钟馗捉鬼》的泥料···································7 第二节：《钟馗捉鬼》的釉色···································7 第三节：《钟馗捉鬼》的创作技法·······························8 第四节：《钟馗捉鬼》与何朝宗瓷塑的区别·······················9 第三章：刘传创作理论和对石湾陶塑发展的意义··········10 第一节：《论传神》···········································10 第二节：对石湾陶塑发展的意义·······························11 结语······························································12 参考文献·····················································13  摘要 本文以刘传陶塑作品《钟馗捉鬼》为主线，结合石湾窑陶塑特点逐步展开。介绍刘传生平对其创作的影响，师承脉络以及他所传承的弟子，创作《钟馗捉鬼》的背景以及该作品的历史意义和艺术价值。从该作品中引导出石湾窑的泥巴特性，釉色的发展和特色，石湾陶塑创作的技法，与德化瓷塑的区别和联系。其《论传神》对陶塑创作的理论指导以及他对石湾陶塑发展的意义。 关键词 刘传 钟馗捉鬼 石湾陶塑 abstract Taking LiuChuan chahai works the doors of slayer as the main line, combining with the characteristics of Shi Wan kiln chahai unfolded. LiuChuan on its creation, his heritage inherited the context and his disciple, creation background of the doors of slayer as well as the historical and artistic value of the works. From the works lead Shi Wan kiln mud properties, glaze color development and characteristics of Shi Wan chahai creation techniques, and a dehua porcelain plastic connection. His on god to the chahai creation of theoretical guidance and Shi Wan chahai development significance. Keyword Liu chuan The Chinese Ghost Buste Sculptures of shiwan 前言 石湾陶塑俗称石湾公仔，是佛山地区的陶瓷工艺品的特色，主要发展于清末民国时期。它在整个中国陶瓷历史长河中，只是一个新生儿，却在近代取得了很大的突破，它们的造型千姿百态，色彩温和，形神兼备，釉色和胎骨的结合表达人物古朴，刚劲，厚重。特别是经过黄炳，陈渭岩，潘玉书，霍津，区