毕业论文（设计）试论明代晚期文人画对民窑瓷绘的影响.docVIP

目 录 摘要和关键词······································ 1 第一章、明代中晚期的社会状况······················ 2 第二章、文人美术与工艺美术························ 4 第一节、文人的参与制作························ 4 第二节、民窑瓷器绘画风格的转变················ 5 第三章、文人画与民窑瓷绘·························· 6 第一节、题材·································· 6 （一）山水画··································· 6 （二）花鸟画··································· 7 （三）人物画··································· 7 第二节、绘画方式······························ 8 第三节、表现形式······························ 9 结语·············································· 10 参考文献·········································· 11 摘 要 明代中晚期封建政权趋于衰落，皇帝和官贵人们贪图享乐，江南地区竞尚奢华，附庸风雅，粉饰太平，对美术品的需求量徒增。商业的发展，工匠地位的提高，文人画主流地位的确立无不刺激着美术创作的繁荣。再至明末御窑厂的停产更是使得民窑瓷器产业思想大解放，在这时期民窑青花瓷题材多样完全突破官窑器图案的束缚，并且在工艺美术文人化的大潮流下，民窑瓷器绘画也渐渐受其影响，绘画风格，形式都相较于前代发生着巨大的变化，与御窑相比，更加洒脱、奔放、自然、朴素的瓷器绘画风格由此诞生，并对后世影响深远。 关键词 晚明文人画 民窑瓷绘 Abstract Feudal regime in the late Ming Dynasty, tends to decline, the emperor and the people in your pleasure-seeking officials, the Jiangnan region is still competing luxury, arty, false picture of peace, to create more demand for art. Commercial development, the advancement of artisans, the establishment of mainstream literati painting all stimulate the prosperity of Fine Arts. And then to the late Ming imperial kiln plant shutdown is making kilns porcelain industry ideological emancipation, blue and white porcelain kilns in the various topics during the kiln completely break the shackles of control patterns, and literary arts of the major trend , kilns porcelain painting has gradually affected, painting styles, forms compared to the previous generation of great changes taking place, and the imperial kiln compared to a more free and easy, unrestrained, natural, simple style of porcelain painting was born, and far-reaching impact on future generations. Keywords Late Ming painting painted porcelain kilns 试论明代晚期文人画对民窑瓷绘的影响 第一章、明代中晚期的社会状况 明代中晚期是一个独具魅力的变革时代，社会动荡却还未危急到政权。正