毕业论文（设计）论竹元素在紫砂壶创作中的表现.docVIP

论竹元素在紫砂壶创作中的表现   目 录 摘要 关键词（中英文）············································1 引言·································································3 第一章 竹子的寓意 第一节 日常生活中的竹子············································3 第二节 文人心目中的竹文化··········································4 第三节 竹与紫砂壶··················································4 第二章 竹元素在紫砂壶中的造型应用 第一节 写实造型紫砂壶中的竹元素····································5 第二节 方圆造型紫砂壶中的竹元素····································6 第三节 异形造型紫砂壶中的竹元素···································10 第四节 竹元素与其他元素混合使用···································10 第三章 竹元素紫砂壶的发展及其演变 第一节 明晚期竹元素···············································11 第二节 清初至清中期紫砂壶中的竹元素·······························12 第三节 清末至民国紫砂壶中的竹元素·································13 第四节 当代紫砂壶艺中的竹元素·····································13 结语································································15参考文献···························································16 图片出处···························································17 致谢································································19 摘 要 随着茶文化的发展，紫砂壶也随之兴盛起来，竹元素紫砂壶的造型多种多样，有写实形、几何形、变异形、还有和其他元素混合应用造型。浓缩了中国人民的智慧。早期的创作是直接仿自然形，到了清朝初期，在仿古的同时也有发展和进步，此时的变化还不是特别大，还是仿自然形或者和几何形体相结合。清朝中期是一个过渡的过程，有一个承上启下的作用。清朝末期的时候整体线条变化很大，各方面技术趋向于成熟，人们开始打破原有的仿自然形创作技巧和思路，把竹子分割为竹片，然后重组进行再加工创作。到了现代各方面都发展迅速，人们之间交流更加的方便快捷，人们开始以竹子为原型进行创作，不是单纯的仿自然形，加入了很多现代的艺术审美和思考方式。 关键词 紫砂壶 竹元素 造型 发展 Abstract With the development of tea culture, also will flourished teapot, bamboo elements teapot shape varied, with realistic shape, geometry, shape variation, as well as hybrid applications modeling, and other elements. Concentrated the wisdom of the Chinese people. The early creation is a direct imitation of natural form, to the early Qing Dynasty, but also in the antique for development and progress, the change at this time is not particularly large, or the imitation of natural and geometric shape, or a combi