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MLA-文学翻译文化
外国语学院本科生英语专业毕业论文装订顺序(MLA格式)
(注:此格式用于文学、文化、翻译方向的论文)
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其它不明事项请查看临沂大学外国语学院英语专业本科生学位论文格式规定
12届 分类号:I106
单位代码 :10452
临沂大学
毕业论文(设计)
从后现代主义视角看《等待戈多》的
反戏剧手法
姓 名 李四
学 号
A Study of “Anti-play” Techniques on Waiting for Godot from the Perspectives of Postmodernism
A Thesis Submitted
to Foreign Languages School of
Linyi University
in Partial Fulfillment of the Requirements
for the Degree of Bachelor of Arts
By Your name Supervisor: June 10, 2012
Acknowledgements (Times New Roman 三号 粗体 居中)
I would like to thank all those who have given me their generous helps, commitment and enthusiasm, which have been the major driving force to complete the current paper. …
Abstract(Times New Roman,三号,粗体,居中)
Samuel Barclay Beckett (1906-1989) was an Irish-born poet, novelist and playwright, and is admittedly regarded as one of the greatest masters in the literary world of 20th century. His masterpiece Waiting for Godot, is widely regarded as a classic of the Theatre of the Absurd. The writer of this thesis tries to understand those anti-play techniques from the perspectives of postmodernism and perceive the spirit of postmodernism that the play owns. Here, this thesis focuses on four typical features of postmodernism: the dissolution of the subject; depth-less-ness; indeterminacy; parody and irony. By the analysis of Beckett’s anti-play techniques in Waiting for Godot, we can not only perceive how he overthrows traditional dramatic regulations thoroughly and extraordinarily but also experience the spirit of postmodernism that he conveys to us as a precursor of postmodernism. The prominent techniques of Beckett not only have inimitable artistic value in modernism movement, which is surging forward at his times but also leads literary excellence in the
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