诗歌意象论文：关联理论视角下诗歌翻译中意象的烘托与再现.docVIP

诗歌意象论文：关联理论视角下诗歌翻译中意象的烘托与再现 【中文摘要】诗歌是最古老的文学形式，源远流长，历史悠久，在文学发展中占有举足轻重的地位。意象是诗歌鉴赏的最基本单元，是诗歌的普遍艺术，也是揭示诗歌内部构成奥秘的钥匙。诗歌意象的把握是欣赏诗歌意境，风格及感受其美学价值的关键。诗歌的独特艺术性，使其翻译成为文学翻译中的一大难题，一直以来，诗歌可译与不可译是翻译界探讨的重要话题。而意象的传递与再现也成为诗歌翻译成功与否的关键。在诗歌翻译过程中，作为欣赏者和美的传递者的译者，翻译美学的基础和把握亦成为了必不可少的标准。许渊冲的“三美论”，钱钟书的“化境论”，均成为了当代诗歌翻译的重要指标。然而翻译美学对于诗歌翻译，意象的传递存在局限性。本文引入了语言学的关联理论，将翻译看作一种特殊的交际，力求在原文本，译者及译作之间实现最佳关联，实现同样的语境效果，进而对诗歌的美学阐释及翻译中的意象的烘托和再现作以新的探讨。本文第一章简要的介绍了诗歌意象再现研究的必要性及。第二章为理论部分，简要介绍了关联理论，翻译美学，及诗歌意象及该领域重要的思想及研究现状。第三章及第四章为论文的主体部分，首先比较了翻译美学与关联理论对于诗歌意象再现的解释力，在第四章，进行了个案研究，分别对于许渊冲和庞德的译作进行分析，从而进一步解释关联理论对于翻译美学对于意象再现的巨大的解释力：在尽量实现最佳关联，产生同等的交际效果时，“三美”或“化境”成为最大限度接近原文的标准。第五章为结论部分，总结本文的主要观点及局限性。 【英文摘要】Poetry, with a long history, has an indispensable role in the development ofliterature. As the invaluable treasure for the people all over the world, the translationof poetry has caused a great concern both home and abroad. As the basic unit and themost common art methodology of poetry, images are the keys to expound theprofound mystery of poetry. In other words, the understanding of images becomes themain aspects of imagery, style and aesthetics values of the poetry.The unique characteristics of poetry make the translation of it unprecedentedlydifficult, as a result of which, translatability and untranslatabiliy become the mostimportant and hottest topic in the filed of translation study. The success of thetranslation of poetry depends on the successful reproduction of images. Aestheticsvalue on translation is absolutely necessary as the standard of translation, which istrue during the process of appreciation, as it is said in Xu Yuanchong抯揟hreeBeauties?三美) and Qian Zhongshu’s“transmigration”(化境). However, aestheticson translation has certain limitations so far as the reproduction of images is concerned,for it is subjective and absolutely different for different people. This thesis will studythe translation of poetry and the reproduction of images based on the RelevanceTheory, which regards translation as a special ki