你所不知道的经典卡通片背后的秘密.docVIP

你所不知道的经典卡通片背后的秘密 Not to ruin your happy childhood memories, but cartoons may not be so innocent as they appear to be. 尽管我们不想毁了你那快乐的童年记忆，但这些卡通片似乎并非看起来那样的天真无邪。 The Smurfs 《蓝精灵》 There is a place where neighbors are always willing to lend a hand, where everyone lives without money and employs their individual skills for others. 有这样一个地方，邻里之间总是乐于互相帮助，每个人都不需要金钱过活且都用自己的一技之长来为他人服务。 But before you start checking out property prices in the area, you need to know that the neighbors are all blue and they live in mushroom-like houses. 但在你开始查看该地的房价前，你要知道，这里所有人都住在蘑菇型的房子里，他们有着蓝色的皮肤。 Smurf society has been seen by many as a metaphor for communism which emphasizes co-operation and the common good. 很多人认为，蓝精灵的社会是共产主义的象征，强调合作和共同利益的重要性。 But could The Smurfs really offer a model for good society? Probably not. 但《蓝精灵》这部动画片真的能树立一个美好社会的模范吗？或许并非如此。 The cartoon is now under fire for being sexist–out of 105 Smurfs there are only three females. Smurfette, who debuted in a 1966 Smurfs comic book strip, was the only woman in the village until Sassette and Nanny Smurf were introduced in 1981. 如今，这部卡通片因强调男权主义，而受到抨击——片中105位蓝精灵中只有3位女性。在1966年首次出版的同名连环画中，蓝妹妹是唯一的女性，1981年才出现了另外两个女性蓝精灵——蓝小妹和蓝奶奶。 Willem de Graeve, director of the Belgian Comic Strip Center in Brussels, explains that The Smurfs, created in 1958 by the Belgian artist Pierre Culliford, is influenced by the Catholic Church of 1950s Belgium. 位于布鲁塞尔的比利时漫画中心的总监维勒姆?狄镐夫解释道，比利时艺术家皮埃尔?库利福德在1958年创作蓝精灵漫画时受到了上世纪50年代比利时天主教的影响。 “That was a totally different era, when there was a very strong separation of genders in Belgium. It was not the done thing to show boys and girls having adventures together,” Graeve told the BBC News. 狄镐夫在接受BBC记者采访时透露：“那是一个特别的年代，当时的比利时男女有别。男女一起去探险是不符合传统的行为。” Winnie The Pooh 《小熊维尼》 It’s hard to believe, but Canadian researchers find that Winnie The Pooh and his forest friends in the Hundred Acre Wood are actually suffering serious mental disorders. 尽管这令人难以置信，但加拿大研究人员的确发现生活在百亩森林里的小熊维尼和他的丛林伙伴们都患有严重的精神疾病。 Winnie The Pooh: Eating Disor