白南准的视像艺术研讨.pdf

南京艺术学院 硕士学位论文 白南准的视像艺术研究 姓名：李海玉 申请学位级别：硕士 专业：美术学 外国美术史 指导教师：常宁生 [中文摘要] 视像艺术兴起于20 世纪六十年代中期，它的产生是以电视、录像和摄像机的发明作为技 术基础的，作为一种新的媒介艺术，伴随着技术和观念的发展，视像艺术几乎成为了一种以 电视、录像、视频为核心载体的多种摄像处理、装置环境和视觉形态综合使用的艺术。在视 像艺术研究领域中成就最突出的是西方现代艺术史上唯一的亚裔艺术大师——白南准。 白南准，是在艺术史上具有重要地位的激浪派、行为艺术的代表人物，视像装置艺术之 父。他凭借其所开创的视像艺术方面的成就而被评为本世纪最杰出的实验型艺术家，是20 世 纪60 年代前半期以来，后现代主义艺术家中最富有挑战性和变革性的人物。白南准是用电 视机来表现艺术的第一人。他还尝试把电视、卫星、激光等加入了他的创作中。他的作品 将艺术、媒体、技术等结合在一起，影响着当代艺术、视频和电视，对新媒体艺术的蓬 勃发展起到了毋庸置疑的作用。他的视像艺术影响深远，具有重要的研究价值。正是基于此， 我们选择了白南准的视像艺术作为研究的对象。 本论文拟对白南准的视像艺术、电视、影像、行为艺术进行研究。他超越了传统艺术， 在视像装置艺术中具备了新的文化意义，不仅表现在对传统文化的批判与反省，而且还表现 在拉近了艺术家与欣赏者之间的距离，艺术和生活之间的界限也开始变得模糊起来。 [关键词] 白南准 视像 文化意义 I Abatract Video Art came in vogue in middle 60s in the 20th century. It came into existence based on the invention of television, video and camera. As a new media art, along with the development of the technology and concept, video art became a comprehensive art for multiple camera processing, installation art and visual image relied on television, recording image and video. Nam June Paik was a prominent artist of Fluxus Art and Performance Art. And he was the father of Video Art. He was chosen as the most talented Experimental Artist with his achievements in video art. He was also the most innovative among the Post Modernism Artists since 1960s. Nam June Paik was the pioneer in making arts out of television sets. He also used TV, Satellite and laser in his creation. His works integrated art, media and techniques which brought a lot of influence to modern art, video and television; they also promoted the vigorous development of the New Media Art. The Video Art had a profound influence and important research value. Therefore, we chose Nam June Paik’s