玛丽莲梦露与相机10.pdf

Bo h he pho o a Idlewild Airpor and he por rai in he backsea of her limousine show a confiden young woman a he pinnacle of her ar is ic, personal, and financial success. Pho ographs by UPI. On June 20, 1956, the New York Post an the sto y of the imminent ma iage between Ma ilyn and A thu Mille . The civil ce emony was on June 29, followed by the wedding acco ding to Jewish itual on July 1, fo which Ma ilyn had conve ted to Judaism. The ma iage of Ame ica’s most famous contempo a y playw ight to the film sta was an e uptive publicity event and made headlines a ound the wo ld. The pictu e shows Ma ilyn and A thu Mille at the tu bulent p ess confe ence in f ont of thei house in New Yo k, whe e they officially announced thei wedding plans. After the marriage ceremony at the co rt ho se in White Plains, New York, Marilyn and Arth r Miller withdraw to Miller’s s mmer ho se in Roxb ry, Connectic t. Here, too, they pose for the p rs ing reporters. On February 22, 1956, Marilyn sat or the photographer Cecil Beaton. The sitting, which Beaton had tried to arrange or three months, took place in the New York Ambassador Hotel. As usual, Marilyn arrived an hour and a quarter late. This photo, which shows Marilyn lying on a bed with a red carnation, was one o her avorites. This picture was also taken at the portrait sitting by Cecil Beaton. Later, in his memoirs, he gave this description o the event: “She romps, she squeals with delight, she leaps on to the so a. She puts a lower stem in her mouth, pu ing on a daisy as though it was a cigarette. It is an artless, impromptu, high-spirited, in ectiously gay per ormance. It will probably end in tears.” In July 1956 Marilyn and Arthu