巴西布布互动装置艺术之探讨与创作pasibutbut.pdfVIP

國立臺灣藝術大學多媒體動畫藝術研究所 碩士論文 指導教授：林珮淳 博士 《巴西布布》 互動裝置藝術之探討與創作 《Pasi but but 》 The Creation and Research of Interactive Installation Art 研究生：蔡濠吉 撰 中華民國九十五年六月 摘 要 過度都市化的過程已大幅影響原住民傳統生活，使得人類純真原始的音樂逐 漸消失。台灣布農族的祈禱小米豐收歌 (pasi but but)為一首八部合音的歌曲，而 布農族語巴西布布(pasi but but)原是「大家互相拉拔」的意思，衍生成大家來拉 動這些音群。本作品以音樂、視覺與觀眾參與表演之「互動裝置」為創作表現形 式，以同時播放多個音樂聲部，允許觀者移動身體去控制聲部音量，而也藉著投 影之光影像隨著音量大小作高低起伏的改變。因此，文獻的部份包含作者創作的 背景及動機，再從總體藝術品之概念分析互動藝術的定義、特質及思想脈絡，並 對作者權的轉移、遊戲的概念、多媒體與跨領域趨勢等美學觀念以及相關作品進 行探討，最後再完整呈現整個創作理念、過程與結論。除了將巴西布布原有字意 反應在互動行為上，也希望藉此提出原始音樂逐漸消失的省思。 關鍵詞：互動裝置藝術、總體藝術品、多媒體、跨領域。 1 Abstract The traditional lifestyles of Taiwan’s indigenous peoples have been greatly influenced due to excessive urbanization. Because of this backdrop, their purely primitive musical styles are gradually disappearing. “Pasi but but” (“Prayer for the Millet Harvest”), a traditional song of Bunun Tribe, Taiwan, is performed with a unique musical style called “eight-part harmonic singing”. “Pasi but but” means “lift up each other” in Bunun language, now it has a derivational meaning, “lift up the tone clusters together.” The performing way of this study’s work is “interactive installation”, involving music, images and the audience. In this way, different tones are simultaneously held. The audience can move their bodies respectively to adjust the volume of each tone. Their positions vary from high to low, according to the volume, along with the projected visual images. To put it in a nutshell, this present study, which explains the backg