雕塑艺术形式语言之我见.docVIP

雕塑艺术形式语言之我见 　　 　　 The form and structure of sculpture, which is the incarnation of tensility, can be classified into two parts: one is mode, the other is arrangement of relation. 　　 Cognized from scientific aspect, some of objective reality objects have life, others dont have. For any live object, a space, containing it, should be extruded in the peaceful atmosphere pressure layers. Therefore, this form and structure is inevitable to be round or close to roundness in their externality and forms. Natural lives should form in natural space, then its consequent to be round and each space is a saturated roundness. The size of roundness is its energy, life and tensility. Hence, roundness, scientific and objective, can represent the basic forms of lives and energy formation. 　　 But how could formal feeling be embodied? Hi-sensitivity should be exercised from countless changes. Whats the most important to obey the formal regular itself is to show the features of lives. It couldnt become art only starting out from the regulars of geometry objects, while opening op the interior characters from specific feelings can create inexhaustible force. 　　 Art with no era, only reaching a certain height, is sincere and always the humankinds brilliance, making human moved. Because humankind feelings are closely linked with. Art has no era limitation or international standards. All forms are humankinds feelings in the final analysis. 　　 　　本次论坛对于形式感问题，大家都提出了各种各样的新看法，但是无论什么样的形式，都有着共同的特征，那就是生命力。众所周知,亨利?摩尔的作品是非常抽象的，但是他仍强调他的作品是表现“人性”与“生命力”的。那么作为人类的艺术，表现宇宙生命的力量，必然会增加生命的毅力与张力，不管是有无意识的,它在人类艺术中还是重要的核心部分。 雕塑形体是张力的体现，它分为两部分：一部分是塑造，另一部分是关系的处理安排。从塑造角度来看，就是如何能够表现充满张力和生命力的生命体，这是最基本的要求，不管是抽象还是具象，传统的雕塑始终是很重要的。从科学方面来认识，客观存在的物体有的具有生命力，有的就没有生命力，凡是有生命力的东西，都要在平均的大气压力层中间挤出一个能够容纳它生命的空间，那么这样的形体在外形和形式上都必然是圆形或接近圆形，因为大气压力是平均的，鸡蛋从外观上看是椭圆形，但是它在鸡腹中本身是圆形的。自然的生命体要在自然空间形成，那么在平均的压力下必然形成圆形，并且在每一个空间都是饱和的圆形，它的圆形大小就是能量的大小、生命力的大小、张力的大小。所以圆形是科学的、客观的，能代表生命体和能量形成的基本形式。这是我的形体学的第一个原理。艺术家们不仅仅要对能量大小的圆形有所理解，还要能够感觉得到能量的发展，不能只看到一